Large by default
Headings, controls and body copy start at a generous size; Reading Controls offer larger options.
Inside the Android app
The app turns participation into a broad score of scenes and optional fixed-choice tools, with no feed, account or social pressure.

The interface
The home screen is an uneven nine-measure score rather than a conventional dashboard. A highlighted bar shows the current movement. Previous, Open and Next controls give every swipe or tap a visible alternative.
Opening a measure reveals one broad illustrated aperture, a short orientation and a sequence of scene readings. The experience is deliberately paced: there is no feed, streak, ranking, badge, notification pressure or infinite scroll designed to keep someone in the app.
Headings, controls and body copy start at a generous size; Reading Controls offer larger options.
Reduce Motion removes measure shifts and barline sweeps without hiding information.
Labels, order, shapes and TalkBack descriptions carry the same meaning as colour.
Every content page has an explicit way back to the current measure or the whole score.
Six scenes and Pulse Picker: quiet start, steady company or more voices today.
Five scenes and Arrival Phrase: prepare, approach, pause and enter in an order chosen now.
Five scenes and Place Mixer: compare the social qualities of edge, pair, table and circle.
Five scenes and Conversation Counterpoint: pair one opening with one way of listening.
Six scenes and Activity Sampler: browse fictional making, puzzle, plant and tabletop modes.
Five scenes and Companion Score: keep the conversation with a trusted adult, outside the app.
Five scenes and Comfort Rest: select a supplied comfort prompt without creating a profile.
Five scenes and Host Cueboard: combine practical inclusion cues without assigning staff.
Four scenes and Close Bar: form a temporary closing sequence that defers to venue procedure.

Forty-six scenes
The supplied visual sequence ranges from approaching a shared place to choosing a seat, making, listening, pausing, welcoming and restoring a generic room. It gives several kinds of participation equal visual weight.
All people and locations are fictional editorial compositions. They do not identify Association members, document the Cambridge hall, promise a current activity or establish accessibility, capacity, staffing or equipment.